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Plastic injection factory and toolshop Shajing China
Image by dcmaster
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Fusing The Pyro Mould #China
Image by EpicFireworks
Cool China Mould pictures
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DSC_8759
Image by samclark1
Cool Mould Manufacturing Factory photos
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Interstate Batteries of Central New York
Image by Hand Truck Sentry System
Image courtesy of Dave Lewis owner of Interstate Batteries of Central of New York. Magliner hand truck locked safely aboard the HTS-10T Tilt Mount Hand Truck Sentry. The HTS Ultra-Rack Hand Truck Sentry Method can set up on most industrial delivery cars. The HTS is a new hand truck safety rack that eliminates lost, stolen, broken and forgotten hand trucks, reduces highway accidents and worker injuries, increases worker productivity and cargo space, prevents freight harm and insurance claims. The HTS pays for itself in eight-ten months and then saves thousands of dollars per route car!
There are 15 outstanding factors to outfit and equip your delivery fleet with an HTS Ultra-Rack! The three most essential benefits are safety, route time and fuel savings. The Hand Truck Sentry Program is a tested and confirmed remedy that surpasses ancient styles, unsafe strategies and pricey storage places. Make the proper choice! Take your fleet into a new direction exactly where the road is significantly safer, your drivers and cargo far better protected, whilst you’re saving green in your wallet and in our atmosphere! The HTS Ultra-Rack is safer, more rapidly and easier than any other hand truck retaining strategy offered. HTS Systems designed the HTS making use of automotive components and manufactures the safest and most advanced hand truck securing systems in the commercial delivery sector! The HTS Ultra-Rack Hand Truck Sentry Program is designed to be the ideal hand truck locking carrier rack in the globe! We guarantee that your route drivers will grow to be really attached to the HTS Ultra-Rack in two-3 days and their hand trucks in two-3 seconds! Extremely Quickly!
The HTS Tilt Mount Ultra-Rack Hand Truck Sentry System offers many positive aspects over the older out-dated factory OEM hasp-bar and unsafe rubber strap carrier racks. The Hand Truck Sentry Program eliminates the possibility of the driver leaving the hand truck miles behind saving route time and fuel. The front OEM hasp-bar racks are not made to accommodate hand truck models equipped with stair climbers or a nose plate extension. OEM hand truck racks allow hand trucks to tilt and lean outward and shift in the course of vehicle movement. The Hand Truck Sentry System does not require padlocks to avoid theft or bungee cords to avoid leaning, vibration or movement. OEM and Aftermarket hand truck racks demand two hands to off-load and reload the hand truck. You need to have only a single hand to operate the HTS Ultra-Rack Hand Truck Sentry! Having an added cost-free hand to hold your paperwork or to enable the driver to firmly brace himself on slippery, ice or snow covered ground surfaces is extremely helpful.
Each month massive firms will devote millions of dollars marketing and advertising their merchandise, marketing and defending their brand’s positioning, identity and reputation. Just one particular accident resulting in a significant injury or death triggered by negligence can damage the reputation and inadvertently adjust the self-assurance and opinion of the buyer towards the brand’s name. This customer perception could take years to overcome, even if the business is later located not negligent or liable for a highway accident! Adverse media exposure that focuses on a brand name automobile can have dire consequences.
When we pay a visit to with our HTS buyers and their route drivers we discovered that most beverage distributors and food service personnel are quite protective as they proudly express their loyalty and high quality of their company’s merchandise and brands. Firms have lengthy identified that employee professionalism, attitude and look are extremely crucial to protect the brand’s image. Supplying new technologies or gear that makes it possible for route drivers to achieve their tasks safer, more rapidly and less difficult reduces everyday tension and significantly improves a driver’s self-assurance and attitude.
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NYC – Metropolitan Museum of Art – Elegant Gathering in the Apricot Garden
Image by wallyg
Elegant Gathering in the Apricot Garden
Ming dynasty, ca. 1437
Right after Xie Huan (Chinese, ca. 1370ca. 1450)
China
Handscroll ink and colour on silk
This painting documents a historical gathering of nine scholar-officials enjoying cultural pursuits while savoring spring weather in the Apricot Garden in Beijing on April six, 1437. The host, Yang Rong, seated in front of an ornamental rock, has thoughtfully provided scholarly amusements, such as antiques, paintings, brushes and ink, and games, for his illustrious guests.
These portraits of prestigious court officials depict them secure in their positions and in full harmony with their surroundings. The meticulous consideration to each and every individual’s facial attributes as effectively as the varied, descriptive brushwork in the rocks and trees in the surrounding garden are standard of early Ming court taste.
Mounted soon after the painting are poems composed by all of the participants to commemorate this gathering, starting with a preface inscribed in a dignified clerical script by Yang Shiqi (13651444), the oldest member in attendance and, as chief advisor to the emperor, the highest-ranking government official of his day. An inscription by Weng Tonghe (18301904) on the brocade mounting preceding the painting identifies all the participants. Primarily based on a composition by the noted court painter Xie Huan, the painting is most likely a modern copy created for a single of the other participants at the gathering.
Acquire, The Dillon Fund Gift, 1989 (1989.141.three)
**
The Metropolitan Museum of Art‘s permanent collection includes a lot more than two million operates of art from around the planet. It opened its doors on February 20, 1872, housed in a creating located at 681 Fifth Avenue in New York City. Under their guidance of John Taylor Johnston and George Palmer Putnam, the Met’s holdings, initially consisting of a Roman stone sarcophagus and 174 mostly European paintings, quickly outgrew the available space. In 1873, occasioned by the Met’s obtain of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. Nevertheless, these new accommodations were short-term after negotiations with the city of New York, the Met acquired land on the east side of Central Park, exactly where it built its permanent property, a red-brick Gothic Revival stone "mausoleum" designed by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures almost a quarter mile long and occupies much more than two million square feet, far more than 20 times the size of the original 1880 creating.
In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America’s Preferred Architecture list.
The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.
National Historic Register #86003556
NYC – Metropolitan Museum of Art – Base for the Front of a Funerary Couch
Image by wallyg
Base for the Front of a Funerary Couch
Nothern Qi (550-577) – Sui (581-618)
Late 6th-early 7th century
Marble with traces of pigment
Used in underground tombs in the north from the fifth through seventh century, stone couches had been commissioned for men and women from China and for foreigners living there. Parallels with excavated pieces and references to Iranian and Central Asian imagery recommend that this base was portion of a couch produced for a merchant from Sogida, an important trading nation in Central Asia.
Winged and beribboned animals prance in the roundels at the prime of the base although four tlins crouch beneath them. In the center, two birdmen stand to either side of a censer encirlced by dragons and supported by a dwarflike caryatid. The mouth coverings (padam) worn by the birdmen hyperlink them to priests of Zoroastrianism, a religion practiced in Persia and much of western Central Asia.
The four arms, scanty clothes, and weapons of the guardians on the edges of the base reflect Indian traditions. These figures might constitute the earliest preserved representation of the theme of guardians wrestling with demons, which was regularly depicted in Buddhist art following the eighth century.
Lent by Shelby White and Leon Levy (L.1999.81.two)
**
The Metropolitan Museum of Art‘s permanent collection consists of a lot more than two million performs of art from around the globe. It opened its doors on February 20, 1872, housed in a building positioned at 681 Fifth Avenue in New York City. Below their guidance of John Taylor Johnston and George Palmer Putnam, the Met’s holdings, initially consisting of a Roman stone sarcophagus and 174 largely European paintings, swiftly outgrew the accessible space. In 1873, occasioned by the Met’s buy of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. However, these new accommodations had been temporary following negotiations with the city of New York, the Met acquired land on the east side of Central Park, exactly where it built its permanent property, a red-brick Gothic Revival stone "mausoleum" developed by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures nearly a quarter mile long and occupies much more than two million square feet, far more than 20 occasions the size of the original 1880 constructing.
In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America’s Preferred Architecture list.
The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.
National Historic Register #86003556
Cool Injection Molding In China photos
A handful of good injection molding in china photos I identified:
company toolshop China
Image by dcmaster
Cool Plastic Tooling China images
A couple of nice plastic tooling china pictures I found:
Image from web page 285 of “Priced catalogue of artists’ materials : supplies for oil painting, water color painting, china painting … and drawing supplies for architects and engineers, manual coaching schools and colleges.” (1914)
Image by Internet Archive Book Photos
Identifier: pricedcatalogueo00devo
Title: Priced catalogue of artists’ components : supplies for oil painting, water color painting, china painting … and drawing components for architects and engineers, manual training schools and colleges.
Year: 1914 (1910s)
Authors: Devoe & Raynolds Co., Inc. (New York, N.Y.)
Subjects: Artists’ supplies–Catalogs Trade catalogs–Artists’ materials.
Publisher: The Firm
Contributing Library: Winterthur Museum Library
Digitizing Sponsor: Lyrasis Members and Sloan Foundation
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F. W. DEVOE & GOS GOMPOSITE MODELING WAX (Plastiline) A new plastic material and substitute for modeling clay and wax. Always remainssoft and pliable. GREY OR RED In 1-, five-, and ten-lb. Cans … By lb., $ .35 | In Bulk By lb., $ .30 MODELING GLAY In Cans, five or ten lbs By lb., $ .06 In Boxes or Barrels, bulk, not less than one hundred-Ib. package .05 MODELING PLASTER In Cans, 5 or ten lbs By lb., $ .08 In Kegs .05 In Barrels By bbl., three.50 230 F. W. DEVOE & C. T. RAYNOLDS CO. Etching Tools and Supplies Ideal FRENCH MAKE No. 1
Text Appearing Following Image:
No. :i
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Difficult workers happiness
Image by Go-tea 郭天
I went climbing the Xiao ZhuShan (Qingdao Zhushan National Forest park) throughout the Chinese National Holidays. I meet a group of old workers who are apparently in charge of taking care of the mountain environment. It was a group of numerous old folks (males and ladies) operating with out actually supervision. I took this photo on my way back to the bus station when there had been also going back home soon after their duty. The expression of the old man remind me that no matter your job, your position, you wealth, going back property to spend time with loved ones is often a source of happiness.
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Image from page 110 of “Dreer’s garden book 1915” (1915)
Image by Web Archive Book Photos
Identifier: dreersgardenbook1915henr
Title: Dreer’s garden book 1915
Year: 1915 (1910s)
Authors: Henry A. Dreer (Firm) Henry G. Gilbert Nursery and Seed Trade Catalog Collection
Subjects: Seeds Catalogs Nursery stock Catalogs Gardening Equipment and supplies Catalogs Flowers Seeds Catalogs Vegetables Seeds Catalogs Fruit Seeds Catalogs
Publisher: Philadelphia, Pa. : Henry A. Dreer
Contributing Library: U.S. Division of Agriculture, National Agricultural Library
Digitizing Sponsor: U.S. Division of Agriculture, National Agricultural Library
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103
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Big-flowering Chinese Primrose. PRIMULA Primrose). The charming and gorgeous Chinese Fringed Primroses andObconica varieties are indispensable for winter or spring decora-tions in the house or conservatory. They are a single of the mostimportant winter blooming pot plants. The seed we offer you is ofthe highest merit, and has, as usual, been saved from the beststrains of English and Continental growth. Florists aiid othersreport that they have never ever observed finer flowers than those pro-duced from our seed. Sow in March, April or May possibly, The hardyvarieties offered on opposite web page are also deserving of widecultivation. PRIMULA OBCONICA. These are of the easiest culture in greenhouse or light window of dwellinghouse, flowering abundantly and constantly with tiny care, and must besown for the duration of the spring in good ]5orous loam. They will not germinate wellin any compost containing peat or leaf mould. To develop the colors to thehighest degree, develop in heavy soil, and at a temperature as close to 60 deg
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Image from page 58 of “Metals and metal-working in old Japan” (1915)
Image by Net Archive Book Photos
Identifier: metalsmetalworki00gowl
Title: Metals and metal-operating in old Japan
Year: 1915 (1910s)
Authors: Gowland, William, 1842-1922 Japan Society of London
Subjects: Art metal-function Metallurgy Metal-function
Publisher: [London? : s.n.]
Contributing Library: Smithsonian Libraries
Digitizing Sponsor: Smithsonian Libraries
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Chinese Smiths Forging an Anchor. It represents the forgings of a ships anchor in the sixteenthcentury, taken from an old Chinese metallurgical treatisepublished in 1636 a.d. The heavy mass was suspended by chains, which have been heldby eight men stationed in a gallery, who moved it about onthe anvil as essential by the smiths. Cast-iron.Cast-iron does not appear to have been recognized to theJapanese in prehistoric times it is, nonetheless, recorded that inthe year 700 a.d. a regulation was created restricting to theGovernment the coinage of cast-iron coins, a date muchearlier than its use in Europe.
Text Appearing Following Image:
Q V . O 1^ SOo i 53 ) The last problem of these iron coins was produced some years ago and even though they are not in circulation as legal currency,they are still extensively utilized for contributions to offertoriesand collections at religious services. I could add that twothousand can be purchased for sixpence, so that donations maybe made by the most parsimonious. Two common lanterns (toro) at Nikko are the only largeart objects of cast-iron identified to me. They had been presented tothe shrine in 1641 by Date Masamune, lord of Sendai. The metal has been chiefly employed by the art craftsmanin little castings, such as kettles and other vessels for heatingwater or w^ine, and many of these are masterpieces of modellingand decoration. They are cast by the approach of cera pevdiita, aprocess which will be described when.daaling with the casting ofbronze. When these castings are taken from the moulds inwhich they have been cast, though they may be ideal so faras the ornamental styles, which had been modell
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cn1009y-antique-ming-style-wood-bench
Image by Silk Road Collection
Classic Chinese Bench
Classic Ming-style Chinese bench with straightforward and elegant design. Notice the natural flow of the geometric patterns of straight lines, squares and rectangles. The seating location has a floating panel, with an indented molding. The legs end in a horse hoof style. The light brown finish permits the wood grain to show beautifully. In addition to supplying bench seating, it would also operate as a tiny coffee table and at the end of a bed.
www.silkroadcollection.com/cn1009y-antique-ming-style-woo…
NYC – Metropolitan Museum of Art – Iris and B. Gerald Cantor Roof Garden – Frank Stella on the Roof – Adjoeman
Image by wallyg
From May 1, 2007 to October 28, 2007, the exhibit, Frank Stella on the Roof was on show in the the Iris and B. Gerald Cantor Roof Garden–an installation of current functions in stainless steel and carbon fiber by the prolific American artist Frank Stella. Because his initial showings in New York in the late 1950s, Stella has occupied a prominent location among leading artists and has continued to expand the boundaries of what abstract painting and sculpture can be. Stella’s fame was cemented by early retrospectives at the Museum of Contemporary Art. This exhibition, in tandem with Frank Stella: Painting into Architecture, marks the artist’s first solo presentation at the Metropolitan.
Chinese Pavilion (2007, nevertheless in progress right here, model here), a carbon epoxy composite, is the centerpiece of the exhibit and has never ever just before been exhibited. The structure of the piece explores the sort of leaf formation that has been a single of the artist’s chief architectural themes. There are other sculptures there, which includes two much more oversized pieces — "adjoeman" (pictured here, which means "showing off" or "decorative" in Balinese) and "memantra" (which indicates the "verbal form of mantra, a prayer or incantation") — both produced of some of the very same stuff utilised to construct stealth bombers, stainless steel and carbon fiber.
The Metropolitan Museum’s Iris and B. Gerald Cantor Roof Garden opened to the public in 1987. Annual installations have featured selections of contemporary sculpture from the Museum’s collection and, most lately, presentations of operates by person artists. Frank Stella on the Roof will mark the tenth annual single-artist installation on the Roof Garden.
**
The Metropolitan Museum of Art‘s permanent collection contains much more than two million functions of art from about the globe. It opened its doors on February 20, 1872, housed in a constructing located at 681 Fifth Avenue in New York City. Under their guidance of John Taylor Johnston and George Palmer Putnam, the Met’s holdings, initially consisting of a Roman stone sarcophagus and 174 mostly European paintings, speedily outgrew the available space. In 1873, occasioned by the Met’s buy of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. Even so, these new accommodations were temporary following negotiations with the city of New York, the Met acquired land on the east side of Central Park, where it built its permanent home, a red-brick Gothic Revival stone "mausoleum" developed by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures nearly a quarter mile extended and occupies more than two million square feet, far more than 20 occasions the size of the original 1880 building.
In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America’s Favored Architecture list.
The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.
National Historic Register #86003556