Some cool china injection mould images:
Tooling Factory Shenzhen China
Image by dcmaster
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A few nice mold china photos I found:
Image from web page 60 of “Staffordshire pottery and its history” (1913)
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Identifier: staffordshirepot00wedg
Title: Staffordshire pottery and its history
Year: 1913 (1910s)
Authors: Wedgwood, Josiah C. (Josiah Clement), 1872-1943
Subjects: Staffordshire pottery Potters Wedgwood ware
Publisher: London : S. Low, Marston & co. ltd.
Contributing Library: Robarts – University of Toronto
Digitizing Sponsor: University of Toronto
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Text Appearing Before Image:
the lathe soon after throw-ing, and therefore made thin and light. The claybody is homogeneous and smooth, showinggreater care in the preparation of the body.The ornamentation is delicate and artistic,and has been produced by sealing a soft piece ofthe clay on to the ware with a metal sealpressed more than the soft clay. There is no glaze,but a high fire has developed a ware so difficult as tobe practically forged solid. These items show thehand of the ex-silversmith in size and shape andfinish. The Burslem imitators—Garner and theWedgwoods—never made factors like these. Elers,though he might have stolen Dwights secrets, wentahead and showed the possibilities of potting. Heis stated also to have developed black ware of asimilar character by mixing oxide of man-ganese—the magnus of Dr Plot—with theclay body, and, though no identified pieces ofblack Elers ware can now be undoubtedly identified, 36 Q^/N^p i. Red china teapot, most likely by Elers. c. 1700.two. Sample of later date, with moulded spout. Stoke-on-Trent Museums.
Text Appearing Right after Image:
Samples of strong agate ware created by Wedgwood or Whieldon. c. 1760. From the Stoke-on-Trent Museums (see p. 74). To face p. 36 ELERS AND ART it is this black ware that his copyists chieflydeveloped.* For Nemesis overtook John Philip Elers, andin spite of all his secrecy, perhaps due to the fact of it,he was copied. Two potters, Twyford and Ast-bury,f a single of whom at least had currently produced potsafter neighborhood strategies in Shelton, set themselves in-dependently to obtain the arts of the Dutchman.To lull the suspicions of Elers, Twyford shammedstupidity, and Astbury, who was younger, passedhimself off as an idiot. Recommended by thesestrange qualifications, they asked and obtainedemployment and, in time, the information theydesired. They went back to Shelton with theiracquired arts, and, in a few years, the most in-telligent potters of North Staffordshire knew howto make civilized pottery. But by 1710 JohnPhilip Elers was tired of his exile and of the * Burton, English Earthenware, p. 74. t A list of tho
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Mold
Image by Joshua Drew Vaughn
Not precisely positive what this is.
Cool China Plastic Molding Business pictures
Some cool china plastic molding organization images:
“sampuru” fake food samples in a show case, tokyo, japan
Image by “guerrilla” method
Fake food samples seem prevalently in the windows and display circumstances of meals-serving establishments all through Japan. As soon as created from wax, right now they are typically produced out of plastic. The plastic models are largely handmade from vinyl chloride and cautiously sculpted to appear like the actual dishes. The models are custom-tailored to restaurants and even common items such as ramen will be modified to match every single establishment’s meals. In the course of the molding approach, the fake ingredients are typically chopped up and combined in a manner equivalent to actual cooking.
The craftsmanship has been raised to an art kind and plastic meals has been exhibited at locations such as the Victoria and Albert Museum. Normal competitions are held in making fake meals dishes out of plastic and other materials. The food displays are typically known as sampuru, derived from the English word sample.
The plastic food producers fiercely guard their trade secrets as enterprise is lucrative the plastic food market in Japan, by conservative estimates, has revenues of billions of yen per year. A single restaurant could order a complete menu of plastic items costing over a million yen.
In current years, Japanese plastic meals companies have been targeting markets overseas, such as China.
Plastic meals companies
Whilst some big businesses exist, other people are small shops with a single proprietor. They can be found in Kappabashi-dori, the meals provide street in Tokyo. Factories can be found in Gujō, Gifu.
Iwasaki Be-I, the largest plastic food manufacturer in Japan, founded by Takizo Iwasaki in 1932
Maiduru (Maizuru), another old and big manufacturer
Cool Injection Molding China Machines photos
A few good injection molding china machines photos I identified:
Plastic injection factory and toolshop Shajing China
Image by dcmaster
Cool China Mold Generating photos
A couple of nice china mold generating photos I discovered:
NYC – Metropolitan Museum of Art – Field Armor of King Henry VIII of England
Image by wallyg
Field Armor of King Henry VIII of England
Steel, blackened, etched, and gilt textile and leather
Italian (Milan or Brescia), about 1544
This impressive armor was produced for Henry VIII (r. 1509-1547) toward the finish of his life when he was overweight and crippled with gout. Constructed for use on horse and on foot it was possibly worn by the king throughout this last military campaign, the siege of Boulogne in 1544, which he commanded personally in spite of his infirmities. The harness was initially fitted with a detachable reinforcing breastplate, to which a lance-rest was attached, and a reinforce for the left pauldron (shoulder defense). A pair of exchange vambrances (arm defenses) remain in the Royal Collection at Windsor Castle.
The armor is described in the post mortem inventory of the king’s possessions, drawn up in 1547, as "of italian mankinge." It was possibly supplied by a Milanese merchant recognized in England as Francis Albert, who was licensed by Henry to import luxury goods, including armor, into England for sale. The armor was subsequently given to William Herbert, very first earl of Pembroke, Henry’s esquire and an executor of his will. It it recorded at Wilton House, seat of the Pembroke loved ones, from 1558 till it was sold in the 1920s. By the end of the eighteenth century, and till really recently, the armor was erroneously identified as obtaining belonged to Anne de Montmorency, Constable of France, its royal English origins obtaining been forgotten.
The armor is an early instance of the "anime" kind, in which the breastplate and backplate are constructed of horizontal overlapping plates connected and produced versatile by rivets and internal leather straps. The decoration, consisting of foliage, putti, running dogs and Renaissance candelabra and grotesque ornament, is typically Italian.
Harris Brisbane Fund, 1932 (32.130.7)
**
The collection of armor, edged weapons, and firearms in The Metropolitan Museum of Art ranks with those of the other great armories of the globe, in Vienna, Madrid, Dresden, and Paris. It consists of about 15,000 objects that range in date from about 400 B.C. to the nineteenth century. Even though Western Europe and Japan are the regions most strongly represented–the collection of a lot more than five thousand pieces of Japanese armor and weapons is the finest outside Japan–the geographical range of the collection is extraordinary, with examples from the Close to East, the Middle East, India, Central Asia, China, Southeast Asia, Indonesia, and North America. The Arms and Armor Galleries had been renovated and reinstalled in 1991 to show to far better effect the outstanding collection of armor and weapons of sculptural and ornamental beauty from about the planet.
The Metropolitan Museum of Art‘s permanent collection contains much more than two million operates of art from around the planet. It opened its doors on February 20, 1872, housed in a building positioned at 681 Fifth Avenue in New York City. Below their guidance of John Taylor Johnston and George Palmer Putnam, the Met’s holdings, initially consisting of a Roman stone sarcophagus and 174 mainly European paintings, speedily outgrew the available space. In 1873, occasioned by the Met’s acquire of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. Nonetheless, these new accommodations have been short-term following negotiations with the city of New York, the Met acquired land on the east side of Central Park, exactly where it constructed its permanent property, a red-brick Gothic Revival stone "mausoleum" created by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures nearly a quarter mile long and occupies a lot more than two million square feet, a lot more than 20 times the size of the original 1880 constructing.
In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America’s Favored Architecture list.
The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.
National Historic Register #86003556
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Image from web page 21 of “Examples of Chinese ornament selected from objects in the South Kensington museum and other collections” (1867)
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Identifier: examplesofchines00jone
Title: Examples of Chinese ornament chosen from objects in the South Kensington museum and other collections
Year: 1867 (1860s)
Authors: Jones, Owen
Subjects:
Publisher: London : S. & T. Gilbert, four Copthall Buildings, E.C. Back of the Bank of England
Contributing Library: Philadelphia Museum of Art, Library
Digitizing Sponsor: Lyrasis Members and Sloan Foundation
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ottle. There is muchof the Indian character in this instance, particularlyin the detached flowers at the base of the subject. Plate XCIV. From a painted china Jar. Composition on thefragmentary principle exceptional for the boldtreatment of the best and bottom of the jar. Plate XCV. From a painted china Vase. One more compo-sition on the fragmentary principle. Plate XCVI. From a painted china Bottle. A singular com-position exceptional for the way in which the effectof the robust colour of the ornament is softened bythe judicious therapy of the ground. Plate XCVII. From a painted china Bottle. Composition onthe continuous-stem principle. The ornament inthis example is in slight relief. The vase was castin a mould. Plate XCVIII. Inlaid bronze Dish. Composition on Plate XCIX. From a painted china Bottle,the continuous-stem principle. Plate C. From a painted china Vase. This instance canhardly be called ornament: it is conventionalonly in the way in which the leaves and fruit arebalanced.
Text Appearing After Image:
Ornament from an Indian Lacquer Box. 15 u.
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Trade tools
Image by ıusnɾ@w|©kedf|lm
Nikon F3 | 35/2
Pekan China (Chinatown) AOR
Everything is laid in front of him as he focused on molding the stainless steel sheet into a coin slot of a parking meter.
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FOR SALE: Original North Light Cob
Image by appaIoosa
Model # P1162 – red roan
Size: 7"H x eight"L
original mold, created by North Light.
Identifying marks & logos:
Inside hind leg: "© NL 93", plus " Produced IN UK "
"Cob" is a British term for a "cobby" (translation = stout & compact construct) horse of undetermined breeding. The Cob is a kind rather than a breed. A quick-legged horse exceeding 148cms (58 inches or 14.2 hands) with a maximum height of 155cms (61 inches or 15.1 hands). The Cob has bone and substance with good quality and is capable of carrying a substantial weight. Cobs need to have sensible heads, (occasionally roman nosed), a full generous eye, shapely neck crested on the best, with a hogged mane and nicely defined wither. The Cob need to also have clean, strong hocks and all the attributes of a very good hunter.
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North Light model horse figurines are produced of a porcelain and resin composition, which enable for the in depth mold detailing (some with person hair detailing, braided manes & tails, and so on) that is really evident in the finish. The figurines are finished in a studio where they are airbrushed with the physique colour and shading needed for the specific breed piece. Next comes the hand detailing , which can be substantial, based on the horses’ color pattern. Pinto and appaloosa patterns demand comprehensive hand operate, and vary drastically from horse to horse. Facial features also obtain hand detailing, with expressive, lifelike eyes which have a final gloss application to make them look moist and realistic. Touches of pink are added to muzzles. Nostrils are darkened inside to add depth.
With this degree of hand detailing, each model horse will differ slightly.
North Light is a company situated in Stoke-On-Trent, Staffordshire, England. The area is popular for its potteries and figurines, which includes the effectively known Wedgwood, Beswick and Royal Doulton brands. In 2005, the North Light factory was sold – like all existing North Light molds – to the firm: WADE CERAMICS LTD (yes, the exact same business that produced these small whimsy figurines identified in red rose tea boxes years ago). Wade repackaged the current North Light horses below their new trademark and resold them within the Wade division as "North Light @ Wade" horses.
Directly from Wade Co. web site, verbatim:
———————————–
Contributed by Carol Atrak
Monday, 18 July 2005
We have pleasure in announcing that Wade has bought specific assets from Dennis Doyle of the North Light resin figurine range. North Light, which will trade as a division within Wade as "North Light @ Wade", is renowned for its variety of dogs, farm animals, horses and wildlife figurines. They are manufactured in resin and hand painted. The "Classic Dog and Horse Ranges" are completed in marble, china blue, bronze, Monet and other effects to grace the sideboards and coffee tables of the World’s finest residences.
Managing Director, Paul Farmer stated, "North Light @ Wade" will bring a new dimension to Wade’s figurine capability and Wade’s mechanisms for on-line purchases of its ceramic items will be adapted to cater for North Light items as well. We are also looking forward to improving our ceramic hand painting strategies which come with the North Light asset obtain."
Artists, Guy Pocock and Anne Godfrey, have been retained to continue modelling new lines and Clare Beswick, from that well-known family of figurine makers which bears her name, has been appointed Sales and Solution Manager for North Light @ Wade.
The manufacture has been moved from Biddulph to a separate resin location inside Wade’s Royal Victoria Pottery in Burslem.
In 2008, Wade announced they would no longer create the North Light @Wade horses (and dogs) at the factory (in the UK). Rather they decided to release a new line: "North Light @ Wade Premier Collection" (consisting of 17 horses and 22 dogs) – to be produced in China. Many of the existing NL horses you see getting sold on eBay (and elsewhere) today, bear the "made in China" sticker, along with the NL backstamp.
In 2009, Wade ceased production altogether on all existing North Light models . Nowadays, North Light horses are no longer becoming produced, sold or marketed by Wade Ceramics, making these horses highly sought soon after, useful and rare.
I have no idea what the Wade Co. decided to do with all the current North Light horses. Some say they sold the current molds to a organization in China.
If your North Light horse has the "©North Light Produced in the UK" backstamp, you have a quite rare & valuable collectible certainly!
The Greek Slave, Victoria and Albert Museum, London. Fujifilm.
Image by scotbot
Minton’s version of the Greek Slave was first developed in 1848. It is made of Parian, Minton’s name for statuary porcelain, which alludes to the white marble from the Greek isle, Paros. The figure copied a marble statue very first exhibited in London in 1845 and now in Raby Castle, Durham. A marble replica, now in the Corcoran Gallery, Washington DC, was shown at the Great Exhibition. It stood against a red plush backdrop in the principal avenue of the Crystal Palace and was a lot admired, in spite of ambivalent Victorian attitudes to displayed nudity.
Materials & Producing
At the Exhibition of 1851, Minton’s trade name, Parian was in basic use for all vitrified unglazed bone china, even even though rival businesses had invented their own names for the material. Every component of a figure was created in a separate mould. The smooth appearance of the completed figure was admired as significantly for its technical talent as for its aesthetic qualities. Minton produced more than 500 Parian figures in between 1845 and 1910.
Individuals
The American sculptor, Hiram Powers (1805-1873) was the son of a Vermont farmer who was fortunate to obtain support from a patron to move to Florence in 1837, where he established his reputation.
Subjects Depicted
Hiram Powers’ Greek Slave depicts a Greek lady exposed for sale at a Turkish bazaar. It alludes to the Greek War of Independence (1821-1832) but was also topical as slavery was abolished in Britain in 1833, even though it was nonetheless prevalent in a lot of American states. Minton later produced additional slave figures, like an American Slave in 1862.
Date
1862 (made)
Artist/maker
Powers, Hiram, born 1805 – died 1873 (right after, sculptor)
Minton, Hollins & Co. (maker)
Supplies and Strategies
Parian porcelain
Dimensions
Height: 35.4 cm, Width: 11.3 cm, Depth: 9.9 cm
Object history note
Made by Minton & Co., Stoke-on-Trent, Staffordshire
Descriptive line
The Greek slave
Labels and date
British Galleries:
The complete-scale marble sculpture of ‘The Greek Slave’, carved by the American sculptor Hiram Powers (1805-1873) in 1843, was one of the most popular exhibits at the Crystal Palace in 1851. This is a little scale version made in Parian porcelain. The invention of a machine in 1844 which could lessen sculptural functions in scale meant that Parian replicas could be developed with a higher degree of accuracy. [27/03/2003]
Production Note
Mould dated 1848 this instance made in 1862